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Issue 13 | August 2025

Welcome

Thank you for visiting Issue 13 of Soul Forte: A Journal for Spiritual Writing, featuring writing by Zachary Nelson, Anne Gorsuch, Lucas Santo, Joann Renee Boswell, Laura Boatner, Tony Bates, and others. May you read and resurrect. 

Find out more

Zachary Nelson

Holy Air: Poems by Zachary Nelson

Nothing of Me for Myself


Annihilate me in the fires of Your love.

Raze everything to the ground.

Dissect me- an open-heart surgery.

Wash out any loveless blood.

Leave nothing of me for myself.


You are the allure and passion

my hungering soul cries out for.

You are the morning dew

that calls to the soles of my feet.


I know no greater torture 

than to be away from Your presence. 

Entrap me in the snare of Your love -- 

caress me into the euphoria of Your embrace.  





The Pool of Flowers


A soul in deep yearning

is a heart that is inflamed.

Quickly, pure love’s seeker --

leap into the pool of flowers.

Immerse yourself under the petals,

and soak yourself in love

until you’re drenched to the bone.

Do not keep to the shallow end.

Cover your life with flowers.

Dissolve into a fragranced soap

to bathe your Beloved’s feet 

in perfumes of devotion. 





The Fertilizer and the Flowering


Star-canvassed night in holy air. 

The rivers swallow the sky --

The stars drink in the stream. 

A provision of truths, 

A dance of roses and fire. 

Deluged love makes fertile seed.

In its absence, a barren paradise.

Our Beloved makes the ocean sing,

and gives excited joy to the rain.

This dance happens with or without-

it is a matter of taking the invitation.

Grow naked with the flowers

or hold close garments of want. 

The lotus loves the mud --

beauty fosters with truth.

Receive the fertilizer and the flowering. 

The Beloved calls you to the deeper,

a tranquil cove of love-song.

Stop being the Beloved’s stranger.

Be a whirlwind of resurrections, 

A well with no bottom.

Love love to death. 





The Garden of Sweetness and Wounding 


In the garden of sweetness and wounding,

lovers first traipse groves overgrown in thorns.

These thorns are what tear away the world’s veil.

The way out of the grove is through the wounding. 

The thorns prickle and tear away selfish desires. 

After the grove are the honey hives. 

Bees swarm and lick at lovers’ viscous fingers 

as they taste the sweetness of divine love.

Honey seeps from their mouths of ecstatic love song. 

From there, the garden becomes a wine press. 

Under naked feet, lovers crush grapes 

into wines that by knowledge cannot be drunk. 

Reason and worldliness are locked out.

Love is beyond any study or analyses. 

Love is a madness best tasted. 



About the author

Zachary Nelson is a grill cook who lives and work in Rockford, Illinois. Zachary has had poems published in Sufi Journal and Still Point Arts Quarterly. Divine love permeates much of Zachary’s poetry. The above poems are rather raw and intense love poems that express a yearning for divine love.


Anne Gorsuch

Might You Be Enough as You Are, Right Now?: An Invitation by Anne Gorsuch

Humility


Sitting one day in contemplation, I had a sudden insight: "I am not God."


I burst out laughing. 


“Of course, I’m not God!”


But then I realized that some part of me does think I am God. God as an all-powerful being who can make everything OK. 


Prevent, heal, save. That God. 


It’s hard to surrender to the truth that I don’t have control. It’s hard to  admit that life can be impossible, unfixable, painful. That too often, I can’t do a thing about it. 


I am not that God.


What a relief. 


Right-sizing myself lightens the suffering of those around me. I am better able to love when I’m not trying to fix or improve. 


Heart-felt humility also lightens my own suffering. This beautiful, bold human capacity is all that I have, and it is enough.


This is what I know: that the small is huge, that the tiny is vast, that  pain is part and parcel of the gift of joy, and that this is love, and then there is everything else. You either walk toward love or away from it with every breath you draw. Humility is the road to love. Humility, maybe, is love.

                                                                                                               —Brian Doyle, One Long River of Song: Notes on Wonder


Might you be enough as you are, right now? 

 


About the author

Anne Gorsuch writes short invitations to internal and relational practice informed by her meditation practice and work as an intuitional coach. She shares occasional brief reflections like this one with subscribers via https://www.annegorsuch.com/.


Lucas Santo

Does the Human Know They're on Earth?: A Poem by Lucas Santo

Questions


Does the ant know it’s on the highway?
Does the human know they’re on earth?
Do the birds know each other’s song?
Will you think of me when I’m gone?
Will the adults relearn to play?
Will Mother Earth have her way?
Will the skyscrapers lead us to God?
Will you sing of me when I’m gone?
Do my tears cut like knives?
Have my words earned their right?
Will our hearts pound the same?
Will I live up to my name?
Do my heels arch to Heaven?
Will my Mother change her way?
Do our Fathers pretend to pray?
Will my love for you fade?
Are my dreams coming in frame?
Will I know when to turn the page?
Can we breathe fire into class?
And clink together what we can’t grasp.

 


About the author

Lucas Santo is a writer from Toronto. His work explores themes of ceremony, transformation,
and masculine vulnerability. He writes about spiritual experience, modern frustration, and
finding the sacred in everyday life. He lives with his wife, daughter, two dogs, and cat. 


Joann Renee Boswell

Leave Love Notes of Exotic Beers: Poems by Joann Renee Boswell

Morbid Optimist


The world is a big beautiful place and there is much terror all around but I can touch clay I can play kick ball with teens I can listen to music and watch the sky alter by the second at sunset I can drink tiny beers I can fold clean clothes I can walk so many steps I can wear green in so many ways and still we spin and I can feel myself being edged to the fringes inertia tugging my torso now and my fingertips grip more firmly to the railing legs akimbo hair wild whipping my sun-kissed shoulders face stretched wide in wonder and soon I will slip or be pried free and away I’ll fly other people shoved by capitalism’s incessant demands replacing me at the margin of civilization’s demanding spiral and nothing will be okay no one will be okay I won’t be okay but what else is there for me to do but vote for the most hope we have notice the teen in my class who needs a day off leave love notes of exotic beers in the fridge and squish those growing kids who are filling with fears faster than wonder these days but this I can do this I can do I can hold on to this until I can’t and fear is a distant monster cutoff ages ago when I stopped doom scrolling and started chasing humanity’s most creative subversives and as I am yanked loose my final thoughts are just pride and bliss and sacred oblivion my love note to the world a pair of googly eyes on an old wooden owl sitting outside a tidy home in Washington state.  





Revelations


my brain’s a whole adult

older before I begin to process

my favorite verses as a teen


(sweaty and sad, soapy and sweet)

were post-apocalyptic and sensual

like my favorite movies


Jurassic Park and Much Ado About Nothing

Jeff Goldblum and Emma Thompson

turning me on 


                 to fear and arousal, chill and rage

full surrender

believing the outcome is worth it


“because your love is 

better     than       my     life

my  LIPS  will lick—oops, that was a slip—

                             praise  you”


naturally thinking I’m sloppy

yucky unworthy, the baby 

who owes each breath to a deity


of course I cried

eating scattered saltines with melted cheese

               southern Oregon nachos


every day at lunch that summer leaning

deeper into high school, life felt long

eternity no longer a miracle


                 but a torture, I thought

it would be nice not to wake

sometimes


wondering what it would be like

if I wasn’t around anymore

what if I slipped away, worries lost


                in a haze of mystery afterlife

that crystal-ball book said

every tear would be wiped

from my eyes, “there will be no more


death or mourning or crying or pain”

these dreams I told

no one, but the verses were common


knowledge and none of us suspected

the desperation for real intimacy

                  (and not with boyfriend-Jesus)


the depression hiding on stage in youth group

the damage of pretending it’s good

to hate Earth, to call heaven home


we all laugh now

so obvious looking back

I was not okay


but hey nonny nonny

life finds a way

and art continues 

                                 rescuing me from religion 



About the author

Joann Renee Boswell (she/her) is a skeptical mystic who lives in the Pacific Northwest with her husband and three kids. Jo’s most recent book, Meta-Verse (Fernwood Press, 2023), is a coloring, pick-your-own poem space-time romp. Jo loves cloudy days filled with coffee, contradictions, dystopian fiction, justice, handholding, forest bathing, and hope. Her superpower might be whimsy. joannrenee.com.


Laura Boatner

Feathers and Wings: A poem by Laura Boatner

Feathers and Wings


But they who wait for the Lord shall renew their strength; they shall mount up with wings like eagles; they shall run and not be weary; they shall walk and not faint. -- Isaiah 40:31


riding on wisps of

cotton-fluffed clouds

enveloping the weary

whose strength has waned

and cries for help are 

quelled and tamed

gently guided by

holy breath

lifting wings and

feathering nests

all will feel the

rise from death

running the marathon

the weak man does

and claims the prize

despite slow starts

forever he  flies

higher and higher 

he’ll forever reach Heaven

with slow-spinning stars

clutched in his talons

the weak once weary 

no longer struggling



About the author

Laura Boatner is a registered nurse by day and a writer by night. Her writing appears in Brilliant Flash Fiction, New Verse News, Discretionary Love, and a forthcoming issue of Open Kimono. She lives in Atlanta, Georgia with her husband and two rescue pups.


Tony Bates

For a Few Who Read: Poems by Tony Bates

Fizzy Fictions


Nightmares rise like bubbles, 

Dreams in a glass of fizzy fictions

With signs

For a few who read.


He-go, She-go, They-go 

We-go, 

It’s all go,

Relax, 

Cease,

Exchange sight for vision

Out of sunlight

Out of the specificity of words

Out of saying

Into being.


And come back!

Surface into seeing

Rising like a bubble

Through the fluidity,

and lucidity of wisdom.





Poetry's Inky Past


The geometry of eternity

Draws a line of dashes,

The speeding spans of a life.


It arches above knowledge 

in immeasurable degrees

not in language but across a domain.


Memory cheats line

Bringing back moments,

Without dimension.


Being’s shapeless theorem

Remains unstated

Without angles.


Mind grasps knowingly.

It can wander about 

Letting go, fearful and fanciful. 


Time and duration,

Ryme and saturation,

Vocalization declines into silence.


Eternal in its fulfilling moment

Sound of the poem.

Fades while the page 


Rages on.

Smashing out of inky past

Into future’s dashing.



About the author

Tony Bates grew up in different parts of the world following his father’s postings in the Foreign Service. Now living in Alexandria, Virginia, he is a retired government bureaucrat, house husband, part-time writer, gardener, and community volunteer. Tony is both a self-styled "Citizen of Nowhere” and a concerned citizen of this remarkable country.  

Justin Evans

Lazarus Jesus Krishna: A Poem by Justin Evans

Asclepias


                                                    coffin shaped

                                  in-utero resurrection

                Lazarus       Jesus        Krishna

Osiris of the irrigation ditch


seeds spill out            as tiny specks of light flotsam

tangled        in the remnants of constellations 

of the northern hemisphere


the proto-gods         never came into existence

speaking every green thing           into being


even this small flake of a seed tethered 

with white filament       made to expatriate 

themselves        from home territory 


trusting the feminine divine         guidance 

placement among         fertile soil  



About the author

Justin Evans was born and raised in Utah. He served in the army and then graduated from Southern Utah University and later the University of Nevada, Reno. He lives in rural Nevada with his wife and sons, where he teaches at the local high school. Justin’s seventh full-length book of poetry, Cenotaph, was released in March of 2024 from Kelsay Books. His poems have recently appeared in weber: The Contemporary West, The Meadow, Wild Roof, and Collateral. Justin has received two Artist Fellowship Grants from the State of Nevada.  


Eleanor Hubbard

All My Sorrow Lived: Poems by Eleanor Hubbard

Van Gogh’s the Pieta: A Lenten Meditation


Help me, 

My beautiful boy is dead.

So smart, so willing to help.

Astonished the priests, 

loved the common folk.

Healed the broken,

broke the imposters.

Everyone he knew took a piece of him

the crowds wanted food, health, 

his companions to sit beside him.

I only wanted to hold him, 

only now will he let me.

Many thought he would save them

from hunger, mental illness, the Romans.

They must save themselves

as his ministry came to this.

All my tears wept.

All my sorrow lived.

I didn’t want a savior only a son.




  

A Country Holy Week: A Narrative Poem


It begins on Sunday, a guy rides a donkey into town,

Pretty weird in the west where everyone rides horses,

But this guy seems different.

His cowboy hat pulled low, his denim jeans dusty,

Having just built bookshelves for friends.

Why did he decide to ride into the seat of power today?

This guy doesn’t say, must be the strong silent type.

His friends thought it was to enjoy his successes

Hear the love of friends and followers.

But no country song has a guy riding a donkey

And this guy doesn’t say.

Some typical country fans, some more ironic urban types,

All cheer him along, and wave hankerchiefs.

The Chorus of the Crowd:

       “I love you,”

       “I love you,”

       “I love you.”

       “I’m your biggest fan.” 

The guy mouths, I love you too, even though he doesn’t

Know anyone he sees. He smiles and waves, like a queen.

Is it a joke? A satire? A parody of kingdom? 

Crowd having fun, not thinking of the whys.

He jumps off after a few blocks.

The crowd mobs him,

Laughing, and singing, and celebrating. While the cops stand by.

Everyone goes to the local pub for a beer, 

Leaving one lonely woman to clean up the mess, 

The donkey’s poop, the Starbuck cups, the deflated balloons. 

She is not celebrating.


On Monday, he decides on a different performance.

Black T-shirt, black jeans with holes at the knees. 

His long hair braided, held in place with a red bandana, 

His guitar slung over one shoulder.

He looks like a young Willie Nelson.

Then he sees the ones selling Merc. 

The Chorus of the Sellers:

“Bibles for sale.”

 “He’s the one! T-shirts” 

“The guy wore this headband yesterday, 

Still wet from his sweat.”

“Get ‘em while they last.”

The guy is furious.

“Who are these traffickers?”

The sellers think he just wants the money himself, 

But this guy seems furious about something else,

tips over tables, stomps on the debris.

Somehow, he’s not quite loved as much as yesterday.

Grumbling, the crowd melts away.

He returns to his friends, who hold him and let him weep.

One lonely woman cleans up the mess.


It’s Tuesday. The guy is determined to go back.

His friends urge him to stay home.

Or if you must go, here’s some ideas.

“See a play, go to a concert, attend a rally.”

“Why do you want to go back, after yesterday?”

But the guy doesn’t say.

He only shrugs and heads back to the city.

They would rather not go, but he’s a friend.

No one is waving bandanas today.

There’s anger, anguish, heartache.

The guy absorbs the pain,

As he absorbed the admiration.

He sees the ones we do not see,

The poor, the lame, the sick.

He hears the ones we do not hear,

The despondent, the desolate, the sorrowful.

Was his work in vain? 

Was his mission unfulfilled?

And once again he weeps!

The lonely woman holds him in her arms.


No one has seen him all day. It’s Wednesday.


It’s Thursday. The guy decides to have a party.

His friends think, “Maybe he’s finally out of his funk.”

The guy says, “Some friends will host us on their farm. 

Go make arrangements.”

The Chorus of Friends:

       “Why me? I want to sit here and listen.”

       “Why me? I need some rest.”

       “I have to do all the work around here.” 

       “I’ll go,” says one. 

The others wondered, “Is this guy for real? 

Or will he sell us all down the river?”

However, preparations are made, friends gather.

Nobody knows this will be the last time they are all together.

They laugh, eat, talk: sex, politics and patriotism.

Then the guy takes off his leather vest,

Kneels in front of each, using water from a cattle trough 

Washes everyone’s feet.

His friends are uncomfortable, wondering what it could all mean.

Then the guy stands up, picks up his beer and a pretzel

Says, “Let us pray.” 

“Why not,” they all thought.

Then he offers them each a sip of beer and a bite of pretzel.

Saying, “Think of this as my body, think of this as my blood.”

Gross, they all think, but he was a friend, 

A little wacky maybe, but a friend.

“You are all gonna wish you didn’t know me,” he says.

“Don’t be silly,” they all say, “We love you and will stick with you.

This story will end well, like all good stories should.”

But the guy looks skeptical.

“I need to pray some more,” he says.

“Tomorrow,” they say, “It’s late.”

“No, tonight.” “OK, maybe he has gone off the deep end.

We need to chaperone.”

So, they walk into the desert, sagebrush and dust.

The guy kneels, the rest curl up and fall asleep.

“Why do you want my death?” the guy prays.

“I believed I was sent for a purpose, but this is a terrible ending,

Please no!” But he heard something nobody else did,

And acquiesced.

While the rest slept, 

Somebody, nobody knew who, tips the police, “The guy is alone, “

They see a troublemaker, not a savior

And arrest him.

His friends melt away and deny they knew him.


The police take him to the city, beat him all night long, and it is Friday.

The Chorus of the Mob:

        “He’s a menace, beat him,” yell the religious.

        “He’s doesn’t understand politics, beat him,” yell the politicians.

        “He just stirs up trouble, beat him,” yell law-and-order people.

        “He’s anti-wealth, beat him,” yell the rich.

        “He cozies up to the rich, beat him,” yell the poor.

        “Where is your donkey now? Where are the crowds now?” 

        “Take him away.” They all yell.

The police wrap his head in barbed wire

Walk him to a distant field.

They tie him to a fence and leave him.

The sun beats down, the dust swirls around,

The guy needs a drink of water.

The lonely woman cleans up the blood, wipes his face

And gives him a small bottle of water to drink.

He dies.


It was Saturday. His friends hide. 

Maybe they will be accused next. 

The crowds want more blood,

His friends don’t want it to be theirs.

The guy’s body is moved out of sight.


The lonely woman arises early on Sunday.

She wants to prepare his body for burial,

if she can only find it.

A stranger points the way to where he was laid.

And there she sees his broken body healed.

And his heavenly body shining.

She laughs with joy, sings:

“Blackbirds singing in the dead of night

Take these broken wings and learn to fly

All your life

You were only waiting for this moment to arise.”


Pietà (after Delacroix). Vincent van Gogh. Oil on canvas, 73 x 60.5 cm. Van Gogh Museum, Amsterdam.

About the author

Eleanor A. Hubbard, a retired professor of Sociology at Colorado University, Boulder, enjoys her grandchildren, volunteering, and writing. Her poetry has been featured in Soul-Lit and Pensive, and she has written one memoir and two non-fiction books. Her passion in all her work is helping others to understand gender and spirituality. 


Chadwick Rowland

Fades: A Poem by Chadwick Rowland

Et in Arcadia Ego


Silken touch that tantalized, then fades.
Lilac wine flows effervescent in stream;
In Arcadia there lays what yet remains.


Desolate desire fanned into flames,
Downy embrace, promise of sweetest dream,
Silken touch that tantalized, then fades.


My proud chest, pierced, bears passion’s stain,
Burning desire, once snuffed, softly steams;
In Arcadia there lays what yet remains.


Hollow hunt for thread tattered and frayed.
A siren’s call, scorned by silent scream,
Silken touch that tantalized, then fades.


Dewy hills unearthed by lilting haze,

Lambs silently graze in the milky gleam;
In Arcadia there lays what yet remains.


She silently weeps with quivering gaze.
An empty tomb reveals a stitched seam.
Silken touch that tantalized, then fades.
In Arcadia there lays what yet remains.



About the author

Chadwick Rowland is a Catholic writer and attorney based in Washington, D.C. A recent convert, he writes at the intersection of longing, memory, and grace. His poetry is shaped by pilgrimage, silence, and surrender. *Et in Arcadia Ego* is his first published poem. 


Amrita Skye Blaine

One Hard Thwack: Poems by Amrita Skye Blaine

carapace 


seventy-five years

painstaking work

chipping

heart shards first,

delicate tappings

release

the tender 

inside


one hard thwack

and card-house

beliefs collapse

falling away


most painful

realigning a love

far too limited—

not personal at all


something dies

in demolishing

but as promised,

reborn in the making




  

be freedom 


transparent chrysalis

reveals wing colors inside

do you hear

your casing split, feel

the seep of fresh air?


pump your wings

break out     hang

in sunshine to dry

you were born 

for this


now 

fly



About the author

Amrita Skye Blaine develops themes of aging, disability, and awakening. She received a PocketMFA in poetry in 2024. She has published a memoir, a three-novel trilogy, and has been published in nineteen anthologies including twelve poetry anthologies. Two poetry collections, every riven thing and strange grace, were published this spring. 



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