Thank you for visiting Issue 13 of Soul Forte: A Journal for Spiritual Writing, featuring writing by Zachary Nelson, Anne Gorsuch, Lucas Santo, Joann Renee Boswell, Laura Boatner, Tony Bates, and others. May you read and resurrect.
Nothing of Me for Myself
Annihilate me in the fires of Your love.
Raze everything to the ground.
Dissect me- an open-heart surgery.
Wash out any loveless blood.
Leave nothing of me for myself.
You are the allure and passion
my hungering soul cries out for.
You are the morning dew
that calls to the soles of my feet.
I know no greater torture
than to be away from Your presence.
Entrap me in the snare of Your love --
caress me into the euphoria of Your embrace.
The Pool of Flowers
A soul in deep yearning
is a heart that is inflamed.
Quickly, pure love’s seeker --
leap into the pool of flowers.
Immerse yourself under the petals,
and soak yourself in love
until you’re drenched to the bone.
Do not keep to the shallow end.
Cover your life with flowers.
Dissolve into a fragranced soap
to bathe your Beloved’s feet
in perfumes of devotion.
The Fertilizer and the Flowering
Star-canvassed night in holy air.
The rivers swallow the sky --
The stars drink in the stream.
A provision of truths,
A dance of roses and fire.
Deluged love makes fertile seed.
In its absence, a barren paradise.
Our Beloved makes the ocean sing,
and gives excited joy to the rain.
This dance happens with or without-
it is a matter of taking the invitation.
Grow naked with the flowers
or hold close garments of want.
The lotus loves the mud --
beauty fosters with truth.
Receive the fertilizer and the flowering.
The Beloved calls you to the deeper,
a tranquil cove of love-song.
Stop being the Beloved’s stranger.
Be a whirlwind of resurrections,
A well with no bottom.
Love love to death.
The Garden of Sweetness and Wounding
In the garden of sweetness and wounding,
lovers first traipse groves overgrown in thorns.
These thorns are what tear away the world’s veil.
The way out of the grove is through the wounding.
The thorns prickle and tear away selfish desires.
After the grove are the honey hives.
Bees swarm and lick at lovers’ viscous fingers
as they taste the sweetness of divine love.
Honey seeps from their mouths of ecstatic love song.
From there, the garden becomes a wine press.
Under naked feet, lovers crush grapes
into wines that by knowledge cannot be drunk.
Reason and worldliness are locked out.
Love is beyond any study or analyses.
Love is a madness best tasted.
Zachary Nelson is a grill cook who lives and work in Rockford, Illinois. Zachary has had poems published in Sufi Journal and Still Point Arts Quarterly. Divine love permeates much of Zachary’s poetry. The above poems are rather raw and intense love poems that express a yearning for divine love.
Humility
Sitting one day in contemplation, I had a sudden insight: "I am not God."
I burst out laughing.
“Of course, I’m not God!”
But then I realized that some part of me does think I am God. God as an all-powerful being who can make everything OK.
Prevent, heal, save. That God.
It’s hard to surrender to the truth that I don’t have control. It’s hard to admit that life can be impossible, unfixable, painful. That too often, I can’t do a thing about it.
I am not that God.
What a relief.
Right-sizing myself lightens the suffering of those around me. I am better able to love when I’m not trying to fix or improve.
Heart-felt humility also lightens my own suffering. This beautiful, bold human capacity is all that I have, and it is enough.
This is what I know: that the small is huge, that the tiny is vast, that pain is part and parcel of the gift of joy, and that this is love, and then there is everything else. You either walk toward love or away from it with every breath you draw. Humility is the road to love. Humility, maybe, is love.
—Brian Doyle, One Long River of Song: Notes on Wonder
Might you be enough as you are, right now?
Anne Gorsuch writes short invitations to internal and relational practice informed by her meditation practice and work as an intuitional coach. She shares occasional brief reflections like this one with subscribers via https://www.annegorsuch.com/.
Questions
Does the ant know it’s on the highway?
Does the human know they’re on earth?
Do the birds know each other’s song?
Will you think of me when I’m gone?
Will the adults relearn to play?
Will Mother Earth have her way?
Will the skyscrapers lead us to God?
Will you sing of me when I’m gone?
Do my tears cut like knives?
Have my words earned their right?
Will our hearts pound the same?
Will I live up to my name?
Do my heels arch to Heaven?
Will my Mother change her way?
Do our Fathers pretend to pray?
Will my love for you fade?
Are my dreams coming in frame?
Will I know when to turn the page?
Can we breathe fire into class?
And clink together what we can’t grasp.
Lucas Santo is a writer from Toronto. His work explores themes of ceremony, transformation,
and masculine vulnerability. He writes about spiritual experience, modern frustration, and
finding the sacred in everyday life. He lives with his wife, daughter, two dogs, and cat.
Morbid Optimist
The world is a big beautiful place and there is much terror all around but I can touch clay I can play kick ball with teens I can listen to music and watch the sky alter by the second at sunset I can drink tiny beers I can fold clean clothes I can walk so many steps I can wear green in so many ways and still we spin and I can feel myself being edged to the fringes inertia tugging my torso now and my fingertips grip more firmly to the railing legs akimbo hair wild whipping my sun-kissed shoulders face stretched wide in wonder and soon I will slip or be pried free and away I’ll fly other people shoved by capitalism’s incessant demands replacing me at the margin of civilization’s demanding spiral and nothing will be okay no one will be okay I won’t be okay but what else is there for me to do but vote for the most hope we have notice the teen in my class who needs a day off leave love notes of exotic beers in the fridge and squish those growing kids who are filling with fears faster than wonder these days but this I can do this I can do I can hold on to this until I can’t and fear is a distant monster cutoff ages ago when I stopped doom scrolling and started chasing humanity’s most creative subversives and as I am yanked loose my final thoughts are just pride and bliss and sacred oblivion my love note to the world a pair of googly eyes on an old wooden owl sitting outside a tidy home in Washington state.
Revelations
my brain’s a whole adult
older before I begin to process
my favorite verses as a teen
(sweaty and sad, soapy and sweet)
were post-apocalyptic and sensual
like my favorite movies
Jurassic Park and Much Ado About Nothing
Jeff Goldblum and Emma Thompson
turning me on
to fear and arousal, chill and rage
full surrender
believing the outcome is worth it
“because your love is
better than my life
my LIPS will lick—oops, that was a slip—
praise you”
naturally thinking I’m sloppy
yucky unworthy, the baby
who owes each breath to a deity
of course I cried
eating scattered saltines with melted cheese
southern Oregon nachos
every day at lunch that summer leaning
deeper into high school, life felt long
eternity no longer a miracle
but a torture, I thought
it would be nice not to wake
sometimes
wondering what it would be like
if I wasn’t around anymore
what if I slipped away, worries lost
in a haze of mystery afterlife
that crystal-ball book said
every tear would be wiped
from my eyes, “there will be no more
death or mourning or crying or pain”
these dreams I told
no one, but the verses were common
knowledge and none of us suspected
the desperation for real intimacy
(and not with boyfriend-Jesus)
the depression hiding on stage in youth group
the damage of pretending it’s good
to hate Earth, to call heaven home
we all laugh now
so obvious looking back
I was not okay
but hey nonny nonny
life finds a way
and art continues
rescuing me from religion
Joann Renee Boswell (she/her) is a skeptical mystic who lives in the Pacific Northwest with her husband and three kids. Jo’s most recent book, Meta-Verse (Fernwood Press, 2023), is a coloring, pick-your-own poem space-time romp. Jo loves cloudy days filled with coffee, contradictions, dystopian fiction, justice, handholding, forest bathing, and hope. Her superpower might be whimsy. joannrenee.com.
Feathers and Wings
But they who wait for the Lord shall renew their strength; they shall mount up with wings like eagles; they shall run and not be weary; they shall walk and not faint. -- Isaiah 40:31
riding on wisps of
cotton-fluffed clouds
enveloping the weary
whose strength has waned
and cries for help are
quelled and tamed
gently guided by
holy breath
lifting wings and
feathering nests
all will feel the
rise from death
running the marathon
the weak man does
and claims the prize
despite slow starts
forever he flies
higher and higher
he’ll forever reach Heaven
with slow-spinning stars
clutched in his talons
the weak once weary
no longer struggling
Laura Boatner is a registered nurse by day and a writer by night. Her writing appears in Brilliant Flash Fiction, New Verse News, Discretionary Love, and a forthcoming issue of Open Kimono. She lives in Atlanta, Georgia with her husband and two rescue pups.
Fizzy Fictions
Nightmares rise like bubbles,
Dreams in a glass of fizzy fictions
With signs
For a few who read.
He-go, She-go, They-go
We-go,
It’s all go,
Relax,
Cease,
Exchange sight for vision
Out of sunlight
Out of the specificity of words
Out of saying
Into being.
And come back!
Surface into seeing
Rising like a bubble
Through the fluidity,
and lucidity of wisdom.
Poetry's Inky Past
The geometry of eternity
Draws a line of dashes,
The speeding spans of a life.
It arches above knowledge
in immeasurable degrees
not in language but across a domain.
Memory cheats line
Bringing back moments,
Without dimension.
Being’s shapeless theorem
Remains unstated
Without angles.
Mind grasps knowingly.
It can wander about
Letting go, fearful and fanciful.
Time and duration,
Ryme and saturation,
Vocalization declines into silence.
Eternal in its fulfilling moment
Sound of the poem.
Fades while the page
Rages on.
Smashing out of inky past
Into future’s dashing.
Tony Bates grew up in different parts of the world following his father’s postings in the Foreign Service. Now living in Alexandria, Virginia, he is a retired government bureaucrat, house husband, part-time writer, gardener, and community volunteer. Tony is both a self-styled "Citizen of Nowhere” and a concerned citizen of this remarkable country.
Asclepias
coffin shaped
in-utero resurrection
Lazarus Jesus Krishna
Osiris of the irrigation ditch
seeds spill out as tiny specks of light flotsam
tangled in the remnants of constellations
of the northern hemisphere
the proto-gods never came into existence
speaking every green thing into being
even this small flake of a seed tethered
with white filament made to expatriate
themselves from home territory
trusting the feminine divine guidance
placement among fertile soil
Justin Evans was born and raised in Utah. He served in the army and then graduated from Southern Utah University and later the University of Nevada, Reno. He lives in rural Nevada with his wife and sons, where he teaches at the local high school. Justin’s seventh full-length book of poetry, Cenotaph, was released in March of 2024 from Kelsay Books. His poems have recently appeared in weber: The Contemporary West, The Meadow, Wild Roof, and Collateral. Justin has received two Artist Fellowship Grants from the State of Nevada.
Van Gogh’s the Pieta: A Lenten Meditation
Help me,
My beautiful boy is dead.
So smart, so willing to help.
Astonished the priests,
loved the common folk.
Healed the broken,
broke the imposters.
Everyone he knew took a piece of him
the crowds wanted food, health,
his companions to sit beside him.
I only wanted to hold him,
only now will he let me.
Many thought he would save them
from hunger, mental illness, the Romans.
They must save themselves
as his ministry came to this.
All my tears wept.
All my sorrow lived.
I didn’t want a savior only a son.
A Country Holy Week: A Narrative Poem
It begins on Sunday, a guy rides a donkey into town,
Pretty weird in the west where everyone rides horses,
But this guy seems different.
His cowboy hat pulled low, his denim jeans dusty,
Having just built bookshelves for friends.
Why did he decide to ride into the seat of power today?
This guy doesn’t say, must be the strong silent type.
His friends thought it was to enjoy his successes
Hear the love of friends and followers.
But no country song has a guy riding a donkey
And this guy doesn’t say.
Some typical country fans, some more ironic urban types,
All cheer him along, and wave hankerchiefs.
The Chorus of the Crowd:
“I love you,”
“I love you,”
“I love you.”
“I’m your biggest fan.”
The guy mouths, I love you too, even though he doesn’t
Know anyone he sees. He smiles and waves, like a queen.
Is it a joke? A satire? A parody of kingdom?
Crowd having fun, not thinking of the whys.
He jumps off after a few blocks.
The crowd mobs him,
Laughing, and singing, and celebrating. While the cops stand by.
Everyone goes to the local pub for a beer,
Leaving one lonely woman to clean up the mess,
The donkey’s poop, the Starbuck cups, the deflated balloons.
She is not celebrating.
On Monday, he decides on a different performance.
Black T-shirt, black jeans with holes at the knees.
His long hair braided, held in place with a red bandana,
His guitar slung over one shoulder.
He looks like a young Willie Nelson.
Then he sees the ones selling Merc.
The Chorus of the Sellers:
“Bibles for sale.”
“He’s the one! T-shirts”
“The guy wore this headband yesterday,
Still wet from his sweat.”
“Get ‘em while they last.”
The guy is furious.
“Who are these traffickers?”
The sellers think he just wants the money himself,
But this guy seems furious about something else,
tips over tables, stomps on the debris.
Somehow, he’s not quite loved as much as yesterday.
Grumbling, the crowd melts away.
He returns to his friends, who hold him and let him weep.
One lonely woman cleans up the mess.
It’s Tuesday. The guy is determined to go back.
His friends urge him to stay home.
Or if you must go, here’s some ideas.
“See a play, go to a concert, attend a rally.”
“Why do you want to go back, after yesterday?”
But the guy doesn’t say.
He only shrugs and heads back to the city.
They would rather not go, but he’s a friend.
No one is waving bandanas today.
There’s anger, anguish, heartache.
The guy absorbs the pain,
As he absorbed the admiration.
He sees the ones we do not see,
The poor, the lame, the sick.
He hears the ones we do not hear,
The despondent, the desolate, the sorrowful.
Was his work in vain?
Was his mission unfulfilled?
And once again he weeps!
The lonely woman holds him in her arms.
No one has seen him all day. It’s Wednesday.
It’s Thursday. The guy decides to have a party.
His friends think, “Maybe he’s finally out of his funk.”
The guy says, “Some friends will host us on their farm.
Go make arrangements.”
The Chorus of Friends:
“Why me? I want to sit here and listen.”
“Why me? I need some rest.”
“I have to do all the work around here.”
“I’ll go,” says one.
The others wondered, “Is this guy for real?
Or will he sell us all down the river?”
However, preparations are made, friends gather.
Nobody knows this will be the last time they are all together.
They laugh, eat, talk: sex, politics and patriotism.
Then the guy takes off his leather vest,
Kneels in front of each, using water from a cattle trough
Washes everyone’s feet.
His friends are uncomfortable, wondering what it could all mean.
Then the guy stands up, picks up his beer and a pretzel
Says, “Let us pray.”
“Why not,” they all thought.
Then he offers them each a sip of beer and a bite of pretzel.
Saying, “Think of this as my body, think of this as my blood.”
Gross, they all think, but he was a friend,
A little wacky maybe, but a friend.
“You are all gonna wish you didn’t know me,” he says.
“Don’t be silly,” they all say, “We love you and will stick with you.
This story will end well, like all good stories should.”
But the guy looks skeptical.
“I need to pray some more,” he says.
“Tomorrow,” they say, “It’s late.”
“No, tonight.” “OK, maybe he has gone off the deep end.
We need to chaperone.”
So, they walk into the desert, sagebrush and dust.
The guy kneels, the rest curl up and fall asleep.
“Why do you want my death?” the guy prays.
“I believed I was sent for a purpose, but this is a terrible ending,
Please no!” But he heard something nobody else did,
And acquiesced.
While the rest slept,
Somebody, nobody knew who, tips the police, “The guy is alone, “
They see a troublemaker, not a savior
And arrest him.
His friends melt away and deny they knew him.
The police take him to the city, beat him all night long, and it is Friday.
The Chorus of the Mob:
“He’s a menace, beat him,” yell the religious.
“He’s doesn’t understand politics, beat him,” yell the politicians.
“He just stirs up trouble, beat him,” yell law-and-order people.
“He’s anti-wealth, beat him,” yell the rich.
“He cozies up to the rich, beat him,” yell the poor.
“Where is your donkey now? Where are the crowds now?”
“Take him away.” They all yell.
The police wrap his head in barbed wire
Walk him to a distant field.
They tie him to a fence and leave him.
The sun beats down, the dust swirls around,
The guy needs a drink of water.
The lonely woman cleans up the blood, wipes his face
And gives him a small bottle of water to drink.
He dies.
It was Saturday. His friends hide.
Maybe they will be accused next.
The crowds want more blood,
His friends don’t want it to be theirs.
The guy’s body is moved out of sight.
The lonely woman arises early on Sunday.
She wants to prepare his body for burial,
if she can only find it.
A stranger points the way to where he was laid.
And there she sees his broken body healed.
And his heavenly body shining.
She laughs with joy, sings:
“Blackbirds singing in the dead of night
Take these broken wings and learn to fly
All your life
You were only waiting for this moment to arise.”
Pietà (after Delacroix). Vincent van Gogh. Oil on canvas, 73 x 60.5 cm. Van Gogh Museum, Amsterdam.
Eleanor A. Hubbard, a retired professor of Sociology at Colorado University, Boulder, enjoys her grandchildren, volunteering, and writing. Her poetry has been featured in Soul-Lit and Pensive, and she has written one memoir and two non-fiction books. Her passion in all her work is helping others to understand gender and spirituality.
Et in Arcadia Ego
Silken touch that tantalized, then fades.
Lilac wine flows effervescent in stream;
In Arcadia there lays what yet remains.
Desolate desire fanned into flames,
Downy embrace, promise of sweetest dream,
Silken touch that tantalized, then fades.
My proud chest, pierced, bears passion’s stain,
Burning desire, once snuffed, softly steams;
In Arcadia there lays what yet remains.
Hollow hunt for thread tattered and frayed.
A siren’s call, scorned by silent scream,
Silken touch that tantalized, then fades.
Dewy hills unearthed by lilting haze,
Lambs silently graze in the milky gleam;
In Arcadia there lays what yet remains.
She silently weeps with quivering gaze.
An empty tomb reveals a stitched seam.
Silken touch that tantalized, then fades.
In Arcadia there lays what yet remains.
Chadwick Rowland is a Catholic writer and attorney based in Washington, D.C. A recent convert, he writes at the intersection of longing, memory, and grace. His poetry is shaped by pilgrimage, silence, and surrender. *Et in Arcadia Ego* is his first published poem.
carapace
seventy-five years
painstaking work
chipping
heart shards first,
delicate tappings
release
the tender
inside
one hard thwack
and card-house
beliefs collapse
falling away
most painful
realigning a love
far too limited—
not personal at all
something dies
in demolishing
but as promised,
reborn in the making
be freedom
transparent chrysalis
reveals wing colors inside
do you hear
your casing split, feel
the seep of fresh air?
pump your wings
break out hang
in sunshine to dry
you were born
for this
now
fly
Amrita Skye Blaine develops themes of aging, disability, and awakening. She received a PocketMFA in poetry in 2024. She has published a memoir, a three-novel trilogy, and has been published in nineteen anthologies including twelve poetry anthologies. Two poetry collections, every riven thing and strange grace, were published this spring.
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